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・ Theodore Khoury
・ Theodore Kisiel
・ Theodore Kitching
・ Theodore Knapstein
・ Theodore Knauth
・ Theodore Komisarjevsky
・ Theodore Komnenos Doukas
・ Theodore Kosloff
・ Theodore Kremer
・ Theodore Krumberg Building
・ Theodore Kuchar
・ Theodore L. Brown
・ Theodore L. Cairns
・ Theodore L. Cuyler
・ Theodore L. Eliot, Jr.
Theodore L. Gargiulo
・ Theodore L. Hullar
・ Theodore L. Kramer
・ Theodore L. Marvel House
・ Theodore L. Minier
・ Theodore L. Moritz
・ Theodore L. Poole
・ Theodore L. Stiles
・ Theodore L. Thomas
・ Theodore Lane
・ Theodore Laskaris
・ Theodore Legrand Burnett
・ Theodore Leighton Pennell
・ Theodore Lenzen
・ Theodore Leslie Futch


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Theodore L. Gargiulo : ウィキペディア英語版
Theodore L. Gargiulo

Theodore Luigi Gargiulo (December 19, 1915 - December 11, 2006) was an American conductor, composer, and musicologist.
==Early life and education==
Born in New York City, Taddeo Gargiulo was the son of immigrant parents Salvatore Gargiulo, a baker from Sorrento, and Erminia Mascia from Castellamare di Stabia, Italy. During the Great Depression, Theodore discovered his passion for the piano and found a way to begin his studies. His talent and pursuit led to a scholarship to the Manhattan School of Music. As he studied music theory and harmony, he was asked to join the National Youth Administration Symphony under the direction of Leopold Stokowski, where he expanded his knowledge of orchestration and composition.
In 1935, he received another scholarship from the New York Philharmonic Symphony Society and studied under a pupil of Rimsky-Korsakoff. He was asked to be a part of the Simeon Bellison Clarinet Ensemble, where he played bass clarinet. His concentration here continued to be harmony and composition. An original ''Romanza'' and his arrangement of Borodin’s ''On the Steps of Central Asia'' received a monetary prize and was performed by the ensemble at Town Hall on April 28, 1938 to standing ovations. He continued to do music in New York City and was writing, arranging and leading the Coro d’Italia to three gold cups at the 1939 New York World's Fair. According to one of New York’s newspapers, "Thirty-two nations joined hands in bringing colorful songs and dances of the old world to the world of tomorrow…The talent and grace of the young and old performers all costumed was something the huge crowd will never forget. The show lasted over seven hours.”
He also studied vocal arts at Teachers’ College of Columbia University. Maestro Fritz Stiedry of the Metropolitan Opera embraced him as his protégé. Here his passion grew deeper in the world of opera.

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